Adayaalam takes note of Centre-Periphery Relations report with 'cautious optimism'

by Thusiyan
Dec 2, 2016

In a brief released today, the Jaffna-based Adayaalam Centre for Policy Research (ACPR) took note of the Centre-Periphery Relations Constitutional Sub-Committee report with cautious optimism, noting that its recommendations "had the potential to positively contribute to a genuine restructuring of the State that accommodates the concerns of the numerically smaller populations vis a vis the current state of the provincial council system and more broadly, the desire of the Tamil people for a genuine form of self-government within a united Sri Lanka."

Regarding the Law and Order Sub-Committee report though, ACPR expressed concern saying it "make(s) very little progress towards a genuine assignment of real law and order powers to the province." "Many of its provisions are deliberately ambiguous, which as the experience with the 13th amendment informs, always benefits the centre," assessed ACPR.

ACPR also expressed concern with the political context of the sub-committee reports, particularly those of Prime Minister Ranil Wickremasinghe's purported comments stating that devolution in the new constitution won't go beyond the limits of Chief Justice Sharvananda's judgment in In Re the Thirteenth Amendment to the Constitution of Sri Lanka. ACPR explained that the judgment construes a very narrow interpretation of unitary and also undermines arguments of those "who take the position that it is possible to have a minimalistic, watered-down-approach to the unitary state in the new constitution, while retaining the unitary label for its political value among the Sinhala Buddhist electorate and providing a genuine scheme for power sharing at the same time."

"ACPR's position is that unless it is clearly provided that Provincial Councils shall be independent and supreme within their spheres of influence, the use of the word 'unitary' will carry the import of a hierarchical arrangement rendering the provinces subordinate to the centre."

The brief concluded with ACPR urging the Steering Committee "to deal with the 'nature of the state' question in the same spirit as that of the CPR Sub-Committee" and calling on the Prime Minister "to reconsider his remarks concerning the continuation of a deeply centrist unitary state in the new constitution."

 

The full brief can be read here. 

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Tamil asylum seekers in Australia mark 100 days of continuous protests for permanent visas

Over 200 refugees and supporters marked a significant milestone by marching 10 kilometers from Australian Prime Minister Anthony Albanese’s office to the Immigration Minister’s office this week, commemorating 100 days of continuous protest.

This demonstration, which culminated in a rally and speeches in Punchbowl, highlighted the plight of refugees denied permanent visas for over 12 years. Speakers at the event shed light on the profound impact of the current system, including barriers to higher education, employment, and access to essential services.

The protest has now entered its 100th day, with Tamil asylum seekers and their supporters continuing their relentless demand for permanent protection. For 38 days, they camped outside Australia’s Minister for Home Affairs, Tony Burke’s office in Sydney, calling on the government to end the visa limbo that has left many without basic rights and stability. Tamil asylum seekers have been in Australia for over a decade, living on short-term visas that must be renewed regularly. Without permanent residency, they are excluded from Medicare—Australia’s universal health insurance scheme—and are denied the right to work, study, travel, or access essential services. Many are also required to report to visa offices weekly.

The crisis is compounded by the controversial 'Fast Track' system introduced in 2014 by the Abbott government. According to the Asylum Seeker Resource Centre, this system has resulted in the rejection of around 8,500 asylum seekers' cases. It specifically targets individuals who sought asylum by sea and arrived in Australia between August 13, 2012, and December 31, 2013. Tamil asylum seekers, stuck in visa limbo for years, have launched protests nationwide, with 24-hour encampments in Melbourne, Perth, and Brisbane.

Amaran - Problematic propaganda

amaran

The genre of war epic makes its grand re-entry to Tamil cinema with director Rajkumar Periasamy’s sophomore feature film, ‘Amaran.’ As is often the case with this genre, one cannot help but feel the events of the ‘true story’ onscreen have been heavily modified for easy consumption.

 

 

 

The patriotic military films of Tamil cinema had taken a back seat for a while. The subject matter is now seldom a prominent theme of a film, instead lurking in the shadows peeking through such as via the heroes in the works of Nelson Dilipkumar. The genre of war epic makes its grand re-entry to Tamil cinema with director Rajkumar Periasamy’s sophomore feature film, ‘Amaran.’ As is often the case with this genre, one cannot help but feel the events of the ‘true story’ onscreen have been heavily modified for easy consumption.

The film follows the tale of Major Mukund Varadarajan (Sivakarthikeyan) and his partner Indhu Rebecca Varghese (Sai Pallavi), who meet at college and soon become lovers. Indhu grapples with her lover’s life ambition of becoming a soldier for the Indian army, admiring his courage and more than willing to become his doting wife at home. We then watch as Mukund is stationed in Kashmir and follow along with his various missions in the volatile area. The film’s depiction of the Indian army is one solely made up of heroes rescuing civilians and looking out for the public’s interests. It is not necessary to delve too much into why this is an oversimplified and problematic portrayal.

The central performances by Sivakarthikeyan and Sai Pallavi carry the almost three hour film adequately. Despite moments where Sivakarthikeyan lacks the intensity to land highly emotional scenes, the pair deftly share the screen between them, with Pallavi picking up any slack. Another notable performance comes from Geetha Kailasam, a character actor who has featured in many films recently in the role of ‘the mother.’ ‘Amaran’ gives her another opportunity to showcase her own humorous brand of motherhood.

Technically, the film runs smoothly. The film is decently shot and edited. Other than a few overly melodramatic moments, the screenplay is solid, albeit a little superficial. GV Prakash Kumar continues his trend of matching the quality of the film with the quality of his music. The track ‘Hey Minnale’ is an earworm, but the rest of the score and soundtrack does not shine through.

Overall, ‘Amaran’ is a straightforward piece of propaganda. A shot in ‘Amaran’ depicts a soldier of the Indian army blocking a closing door with his rifle. On the other side of the door is a Kashmiri child. To appease the child, the soldier sneaks a chocolate bar through the gap in the doorway. The reverse of this tactic is what director Rajkumar Periasamy employs to hook his audience in: the sweetness of the Penelope-Odysseus relationship between Mukund and Indhu hides the intrusion of the weapon of jingoist ideology. 

Krishna's rating: 2.5 stars

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Official trailer for film below.

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