Russian Embassy in Colombo says it has no information on Sri Lankan mercenaries

by Rukshana
Apr 20, 2024

In a tweet posted by the Russian Embassy, the Russian Embassy in Colombo denied any involvement in the recruitment of Sri Lankan military members adding it had “no information about the participation of Sri Lankan nationals in the Ukraining conflict on the Russian side, nor data regarding possible numbers.” 

The mission went on to say that it was not aware of local recruiting agencies that hires individuals to join such activities while deceiving them about the true nature of these jobs. 

The tweet was posted in response to media reports about the death of Sri Lankan nationals engaged in the Russia-Ukraine war.

“The embassy denies any connection with the return to Sri Lanka of a corporal who allegedly fled from the combat zones,” the mission stated referring to an article published in the Daily News stating this incident. 

 

 

In the Daily News article, it is stated that “a retired corporal, who managed to escape from the Russian mercenary force, disclosed that around 500 Sri Lankans are engaged in military activities within the Russian forces. This information led to the arrests of Wijebandara and Bandula.”

The Russian embassy also stated that the protection of the interests and rights of Sri Lankan nationals in the territory of Russia falls under the jurisdiction of the Sri Lankan Embassy in Moscow. 

The embassy went on to state that visas are issued to Sri Lankan nationals based on the valid documentation provided however the embassy was conducting interviews to further ascertain motives. Yet, they would not impede on travel plans if a Sri Lankan national decided to change their course of action upon arriving in Russia. They added that it they received a formal request from Sri Lankan officials, they would oblige. 

The disclosure from the Russian Embassy follows several news reports including that published by Tamil Guardian of Sri Lankan soldiers have died fighting for and against the Russian army on the front lines in Ukraine, as “hundreds” of former soldiers have turned mercenaries amid an economic crisis on the island.

The Sri Lankan military remains one of the largest in the world per capita, despite the end of any Tamil armed resistance movements almost 15 years ago. The sheer size of the Sri Lankan military is staggering; in 2018, the World Bank estimated there were 317,000 service personnel in the country, twice the size of the UK’s regular forces. In some areas across the Tamil homeland, there are as many as one soldier for every two civilians.

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Tamil asylum seekers in Australia mark 100 days of continuous protests for permanent visas

Over 200 refugees and supporters marked a significant milestone by marching 10 kilometers from Australian Prime Minister Anthony Albanese’s office to the Immigration Minister’s office this week, commemorating 100 days of continuous protest.

This demonstration, which culminated in a rally and speeches in Punchbowl, highlighted the plight of refugees denied permanent visas for over 12 years. Speakers at the event shed light on the profound impact of the current system, including barriers to higher education, employment, and access to essential services.

The protest has now entered its 100th day, with Tamil asylum seekers and their supporters continuing their relentless demand for permanent protection. For 38 days, they camped outside Australia’s Minister for Home Affairs, Tony Burke’s office in Sydney, calling on the government to end the visa limbo that has left many without basic rights and stability. Tamil asylum seekers have been in Australia for over a decade, living on short-term visas that must be renewed regularly. Without permanent residency, they are excluded from Medicare—Australia’s universal health insurance scheme—and are denied the right to work, study, travel, or access essential services. Many are also required to report to visa offices weekly.

The crisis is compounded by the controversial 'Fast Track' system introduced in 2014 by the Abbott government. According to the Asylum Seeker Resource Centre, this system has resulted in the rejection of around 8,500 asylum seekers' cases. It specifically targets individuals who sought asylum by sea and arrived in Australia between August 13, 2012, and December 31, 2013. Tamil asylum seekers, stuck in visa limbo for years, have launched protests nationwide, with 24-hour encampments in Melbourne, Perth, and Brisbane.

Amaran - Problematic propaganda

amaran

The genre of war epic makes its grand re-entry to Tamil cinema with director Rajkumar Periasamy’s sophomore feature film, ‘Amaran.’ As is often the case with this genre, one cannot help but feel the events of the ‘true story’ onscreen have been heavily modified for easy consumption.

 

 

 

The patriotic military films of Tamil cinema had taken a back seat for a while. The subject matter is now seldom a prominent theme of a film, instead lurking in the shadows peeking through such as via the heroes in the works of Nelson Dilipkumar. The genre of war epic makes its grand re-entry to Tamil cinema with director Rajkumar Periasamy’s sophomore feature film, ‘Amaran.’ As is often the case with this genre, one cannot help but feel the events of the ‘true story’ onscreen have been heavily modified for easy consumption.

The film follows the tale of Major Mukund Varadarajan (Sivakarthikeyan) and his partner Indhu Rebecca Varghese (Sai Pallavi), who meet at college and soon become lovers. Indhu grapples with her lover’s life ambition of becoming a soldier for the Indian army, admiring his courage and more than willing to become his doting wife at home. We then watch as Mukund is stationed in Kashmir and follow along with his various missions in the volatile area. The film’s depiction of the Indian army is one solely made up of heroes rescuing civilians and looking out for the public’s interests. It is not necessary to delve too much into why this is an oversimplified and problematic portrayal.

The central performances by Sivakarthikeyan and Sai Pallavi carry the almost three hour film adequately. Despite moments where Sivakarthikeyan lacks the intensity to land highly emotional scenes, the pair deftly share the screen between them, with Pallavi picking up any slack. Another notable performance comes from Geetha Kailasam, a character actor who has featured in many films recently in the role of ‘the mother.’ ‘Amaran’ gives her another opportunity to showcase her own humorous brand of motherhood.

Technically, the film runs smoothly. The film is decently shot and edited. Other than a few overly melodramatic moments, the screenplay is solid, albeit a little superficial. GV Prakash Kumar continues his trend of matching the quality of the film with the quality of his music. The track ‘Hey Minnale’ is an earworm, but the rest of the score and soundtrack does not shine through.

Overall, ‘Amaran’ is a straightforward piece of propaganda. A shot in ‘Amaran’ depicts a soldier of the Indian army blocking a closing door with his rifle. On the other side of the door is a Kashmiri child. To appease the child, the soldier sneaks a chocolate bar through the gap in the doorway. The reverse of this tactic is what director Rajkumar Periasamy employs to hook his audience in: the sweetness of the Penelope-Odysseus relationship between Mukund and Indhu hides the intrusion of the weapon of jingoist ideology. 

Krishna's rating: 2.5 stars

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Official trailer for film below.

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