Ranil attends Modi swearing in ceremony

by Biranavan
Jun 10, 2024

Several South Asian leaders, including Ranil Wickremesinghe, attended Modi's swearing-in ceremony in Delhi.

President of Maldives, Mohamed Muizzu; Vice-President of Seychelles, Ahmed Afif; Prime Minister of Bangladesh, Sheikh Hasina; Prime Minister of Mauritius, Pravind Kumar Jugnauth, Prime Minister of Nepal, Pushpa Kamal Dahal ‘Prachanda’; and Prime Minister of Bhutan, Tshering Tobgay, had also accepted the invitation to attend. Also in attendance were two of India’s richest industrialists, Gautam Adani and Mukesh Ambani, who are seen to enjoy a close relationship with Modi.

“The visit of the leaders to attend the swearing-in ceremony of prime minister Shri Narendra Modi for his third consecutive term is in keeping with the highest priority accorded by India to its ‘Neighbourhood First’ policy and ‘SAGAR’ vision,” the ministry said.

Earlier this year, Sri Lanka entered into a 20-year power purchase agreement with India's Adani Green Energy, for two wind power stations developed by the company in the North-East. However, Sri Lankan officials have been disgruntled with India's involvement in infrastructure projects and are said to have delayed the fast-tracking of the Mannar wind farm project. 

“Some officials are stubborn and not helping to fast track the project,” a cabinet minister told EconomyNext when asked the reasons for the delay.

“Most of them are still living in the past and do not trust India despite this project has direct benefit to the country,” the Minister said referring to anti-Indian sentiment among Sri Lankan bureaucrats following India’s role in Sri Lanka’s 26-year armed conflict.

Though earlier this year the Indian government extended its ban on the Liberation Tigers of Tamil Eelam (LTTE) for another five years, claiming the organisation is still active and “threatens the sovereignty and territorial integrity” of India.

The move came almost 15 years after the 2009 genocide at Mullivaikkal which saw the defeat of the LTTE and the murder of tens of thousands of Tamil civilians.

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Tamil asylum seekers in Australia mark 100 days of continuous protests for permanent visas

Over 200 refugees and supporters marked a significant milestone by marching 10 kilometers from Australian Prime Minister Anthony Albanese’s office to the Immigration Minister’s office this week, commemorating 100 days of continuous protest.

This demonstration, which culminated in a rally and speeches in Punchbowl, highlighted the plight of refugees denied permanent visas for over 12 years. Speakers at the event shed light on the profound impact of the current system, including barriers to higher education, employment, and access to essential services.

The protest has now entered its 100th day, with Tamil asylum seekers and their supporters continuing their relentless demand for permanent protection. For 38 days, they camped outside Australia’s Minister for Home Affairs, Tony Burke’s office in Sydney, calling on the government to end the visa limbo that has left many without basic rights and stability. Tamil asylum seekers have been in Australia for over a decade, living on short-term visas that must be renewed regularly. Without permanent residency, they are excluded from Medicare—Australia’s universal health insurance scheme—and are denied the right to work, study, travel, or access essential services. Many are also required to report to visa offices weekly.

The crisis is compounded by the controversial 'Fast Track' system introduced in 2014 by the Abbott government. According to the Asylum Seeker Resource Centre, this system has resulted in the rejection of around 8,500 asylum seekers' cases. It specifically targets individuals who sought asylum by sea and arrived in Australia between August 13, 2012, and December 31, 2013. Tamil asylum seekers, stuck in visa limbo for years, have launched protests nationwide, with 24-hour encampments in Melbourne, Perth, and Brisbane.

Amaran - Problematic propaganda

amaran

The genre of war epic makes its grand re-entry to Tamil cinema with director Rajkumar Periasamy’s sophomore feature film, ‘Amaran.’ As is often the case with this genre, one cannot help but feel the events of the ‘true story’ onscreen have been heavily modified for easy consumption.

 

 

 

The patriotic military films of Tamil cinema had taken a back seat for a while. The subject matter is now seldom a prominent theme of a film, instead lurking in the shadows peeking through such as via the heroes in the works of Nelson Dilipkumar. The genre of war epic makes its grand re-entry to Tamil cinema with director Rajkumar Periasamy’s sophomore feature film, ‘Amaran.’ As is often the case with this genre, one cannot help but feel the events of the ‘true story’ onscreen have been heavily modified for easy consumption.

The film follows the tale of Major Mukund Varadarajan (Sivakarthikeyan) and his partner Indhu Rebecca Varghese (Sai Pallavi), who meet at college and soon become lovers. Indhu grapples with her lover’s life ambition of becoming a soldier for the Indian army, admiring his courage and more than willing to become his doting wife at home. We then watch as Mukund is stationed in Kashmir and follow along with his various missions in the volatile area. The film’s depiction of the Indian army is one solely made up of heroes rescuing civilians and looking out for the public’s interests. It is not necessary to delve too much into why this is an oversimplified and problematic portrayal.

The central performances by Sivakarthikeyan and Sai Pallavi carry the almost three hour film adequately. Despite moments where Sivakarthikeyan lacks the intensity to land highly emotional scenes, the pair deftly share the screen between them, with Pallavi picking up any slack. Another notable performance comes from Geetha Kailasam, a character actor who has featured in many films recently in the role of ‘the mother.’ ‘Amaran’ gives her another opportunity to showcase her own humorous brand of motherhood.

Technically, the film runs smoothly. The film is decently shot and edited. Other than a few overly melodramatic moments, the screenplay is solid, albeit a little superficial. GV Prakash Kumar continues his trend of matching the quality of the film with the quality of his music. The track ‘Hey Minnale’ is an earworm, but the rest of the score and soundtrack does not shine through.

Overall, ‘Amaran’ is a straightforward piece of propaganda. A shot in ‘Amaran’ depicts a soldier of the Indian army blocking a closing door with his rifle. On the other side of the door is a Kashmiri child. To appease the child, the soldier sneaks a chocolate bar through the gap in the doorway. The reverse of this tactic is what director Rajkumar Periasamy employs to hook his audience in: the sweetness of the Penelope-Odysseus relationship between Mukund and Indhu hides the intrusion of the weapon of jingoist ideology. 

Krishna's rating: 2.5 stars

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Official trailer for film below.

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